Flights of fancy at Day 2 of London Fashion Week

A catwalk of faux grass and barefoot, denim-clad models took audiences to 1960s America. Sweet dungarees and clogs conjured up a fisherman's tale at one show, while at another the fashion crowd feasted their eyes on a concoction of pastel ruffles as delectable as roses in full bloom.
Newcomers and established designers alike took audiences on flights of fancy on Day 2 of London Fashion Week Saturday, which showcased an eclectic range of women's wear creations from the elegant to the whimsical, from the eminently wearable to structured works of art.
Britons Jasper Conran and John Rocha, two of the fashion week's most established names, both showed Saturday, with the former delivering a surprisingly fun and youthful collection and the latter wowing the crowd with the sheer technique that went into his sculptural creations.
Also featured Saturday was Kinder Aggugini, former designer at Versace; Huishan Zhang, a Chinese-born talent who delivered a refined debut show of reworked Chinese motifs; and Moschino Cheap and Chic, the Italian brand's diffusion line.
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JASPER CONRAN
Conran's signature look is pared-down British elegance, but for next spring he offered up a playful selection on a retro Americana theme: Psychedelic flowers, blue jeans, stars and stripes, Woodstock and multi-colored patchwork.
Models walked on a catwalk made of a bed of faux grass to the tunes of Carole King, and the look was part cool cowgirl, part folksy flower children. There were denim vests, shorts and straight cut jeans, some embroidered with flowers and doves, others adorned by a silver sequined hem. Later models wore crochet, patchwork or kaleidoscope print dresses.
Prints were childlike and irreverent (think huge print of a cherry on a white shirt) and the palette was as cheerful as it gets: Bubblegum pink, coral, mustard, lime, and a tangerine that Conran called "Fanta orange."
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JOHN ROCHA
Voluminous hooped skirts, ruffles and layers of sheer organza dominated the catwalk at Ireland-based John Rocha's show, which resembled a beautiful English garden of sculpted flowers.
A red strapless dress with an exaggerated tulip shape opened the show, its large organza ruffles imitating the frail petals of a flower.
The hooped, textured skirt then appeared layered over trousers and under sheer organza jackets. It was also repeated to great effect in a host of pastel colors: Pale lavender, mint, lemon, before appearing in gun metal, champagne, black and white. Models all wore large matching hats made of folds of organza that sat like tinted clouds on their heads.
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MOSCHINO CHEAP & CHIC
Conran wasn't the only one who got the fun retro vibe: At Moschino Cheap and Chic there were low-slung flare trousers, flirty party dresses and a riot of bold colors.
Saturday night's show, which came complete with a live band and disco lights, featured party pieces like a candy-colored bomber jacket, an orange pant suit with jeweled lapels, and a mint pleated skirt with oversized flower sequins.
Lime, which is emerging as a popular spring color, was paired with magenta, burgundy, and orange. A standout print of blue and lime pineapples was seen on hot shorts, crop tops and capri pants, and many in the fashion crowd were left lusting after the playful pineapple handbags.
Cheap and Chic is the Italian label's diffusion line. Moschino's main line shows at Milan Fashion Week.
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KINDER AGGUGINI
Former Versace designer Kinder Aggugini began the day with a show inspired by fishermen and the freedom of being at sea. His spring collection was themed around the traditional naval palette - blue, red and white - but he washed out the colors for a faded, carefree look to fit his "gone fishing" theme.
Gingham and prints of island life added girlish charm to the relaxed shapes, which included pieces like pinafores, low-slung shorts and men's style shirts. Hand-painted clogs pulled the looks together.
Aggugini cleverly sneaked in the ocean theme in several standout pieces: A navy blazer had a white-dyed hem to imitate the sea's waves, and a black velvet gown had a design of octopus tentacles that reached to the floor.
"It was all very fresh and sweet, very well made, very cute. It all worked," said Hilary Alexander, a veteran British fashion editor who attended the show at London Fashion Week.
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HUISHAN ZHANG
Newcomer Huishan Zhang delivered a sophisticated debut collection Saturday that impressed the crowd with his fresh take on traditional Chinese motifs.
The tailored Chinese silk dress, the cheongsam, was updated with detachable, crystal-embellished collars, subtle prints and a refreshing palette of mint, sage, sea green and violets.
Dresses had high necklines and modest hemlines, but the way the silk hugged the body oozed sensual femininity. Prints of sparrows, pagodas and mahjong tiles lent playfulness to the elegant clothes. Silhouettes were clean and unfussy, adorned sometimes with sheer, wispy capes.
Zhang, who recently graduated from London's Central St. Martins college, spent a year working at Christian Dior before setting up his own label. His first season collection has been picked up by two retailers.
"He's delivered clothes that are appropriate for all age groups, and that's something that's quite difficult to do for a young designer," said Anne Tyrrell, a London-based design consultant. "He's one to watch, definitely.

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5 Digital Highlights From New York Fashion Week

Designers didn't just bring new clothes to Lincoln Center during New York Fashion Week -- several introduced new uses for digital technology as well.
[More from Mashable: 5 Runway Fashions Chosen by Fans]
Diane von Furstenberg led the pack, surprising in-person and online attendees by showcasing Google Glass -- the futuristic eyewear device Google is building -- down the runway. Photos were taken backstage using the device, and shared to DVF's Google+ Page ahead of and during the show.
A short film compiled from video taken with glasses worn by models, Furstenberg and members of her team was released three days later. Tweets about the DVF show were up 160% from last season, making her the third most talked-about designer on Twitter during Fashion Week, according to third-party data from social media agency, Whispr Group.
[More from Mashable: Reporters Turn to Mobile Video, Viddy for Fashion Week Coverage]
Beyond DVF's show, New York Fashion Week, which ended last Thursday, witnessed the appearance of stylish gadgets from the likes of HTC and Rebecca Minkoff. Reporters used short-form mobile video for new kinds of coverage, and several emerging designers teamed up with startup CutOnYourBias to let fans shape their collections. Live streams continued to grow in popularity, with new twists from Marc Jacobs and Oscar de la Renta. For a full roundup, check out the gallery below.
1. Google Glass at DVF
Google Glass, the futuristic, augmented reality-enhanced eyewear device the tech giant is developing, made its first appearance at Diane von Furstenberg's S/S 2013 show. Photos were taken with the device backstage and shared to DVF's Google+ Page ahead of and during the show. A short film compiled from video taken with glasses worn by models, Furstenberg and members of her team was released three days afterward. Tweets about the DVF show were up 160% from last season, making her the third most-talked about designer on Twitter during Fashion Week, according to third-party data from Whispr Group.

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Mulberry, Illincic wrap up London Fashion Week

The models have packed up, the temporary runways taken down. London Fashion Week on Tuesday wrapped up five hectic days of women's wear shows, a whirlwind display of new colors and textures for next spring from big name designers and newcomers alike.
London hosts a more eclectic collection of designers and labels than fashion weeks in New York, Milan and Paris, and the latest crop of spring and summer designs seen this week has been a big mish-mash: Futuristic metallic leathers at Burberry, sweet '50s pastels at Temperley, '70s disco fever at Jonathan Saunders, and '90s minimalism at quite a few other shows.
While there was no overriding theme, there were micro-trends set to make their way to high street stores come spring. All-white and monochrome outfits were seen everywhere, as were pretty confectionery shades of mint and lemon.
Futuristic, shiny materials like plastic or fabrics with a foil-like, iridescent or even holographic sheen were popular, as was the use of sheer, feminine layers in organza, chiffon or mesh.
On Tuesday, things kicked off with '70s-inspired florals, wide-leg trousers and mannish suits at luxury label Mulberry, best-known for its leather handbags. The collection, delivered with a humorous British flair, nodded to several of the season's popular trends: Sleek trouser suits, all-season leather, metallic jacquard, and head-to-toe ice-cream pastel shades.
Model-turned-designer Roksanda Illincic followed with a collection of dresses with simple feminine shapes and minimal detailing, leaving her use of beautiful color combinations and glossy fabrics to do the talking.
Day Five also saw collections by a handful of younger and adventurous designers. Simone Rocha, the daughter of British fashion institution John Rocha, deftly combined schoolgirl innocence and tough attitude, while maverick duo Meadham Kirchoff sent the party home with a spectacularly whimsical show of Marie Antoinette fashion gone mad.
Tuesday's shows ended a week that saw models and celebrities like Kate Moss and One Direction's Harry Styles flocking to the catwalks' front row. Lady Gaga stole the limelight Sunday with a starring turn at milliner Philip Treacy's comeback show.
The fashion brigade moves on to Milan for more shows that begin Wednesday. Paris Fashion Week begins next Tuesday.
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MULBERRY
Luxury brand Mulberry has ditched most of the playfulness in its recent seasons, showcasing a spring collection that's still quirky but definitely grown-up.
Mulberry's show at London's swanky Claridge's hotel was decorated with dozens of garden gnomes and fake geckos crawling on rose bushes - a typically wacky atmosphere of pretty English garden meets exotic creatures.
But appearances were deceptive, and the clothes themselves were more sophisticated than the setting suggested.
Creative director Emma Hill sent models down the catwalk in oversized leather biker jackets and mannish tuxedos in navy, black and white. The 1970s-inspired collection had floral embroidery, floor-length skirts, flower buttons and high-waisted wide legs, updated with metallic jacquard printed with mini-flowers and geckos.
Leather separates and trouser suits balanced flirty pleated skirts. There were muted brown ensembles along with head-to-toe sweet pastels in mint and peach - including pastel-colored shoes and handbags, the brand's bestselling item.
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ROKSANDA ILLINCIC
Taking her inspiration from artists, Roksanda Illincic's catwalk show had plenty of ensembles for the woman who wants to look stylish without trying too hard. Simple, streamlined shapes like tailored shifts and breezy A-line dresses came in high-impact color combinations that really popped: Tangerine with cobalt, mango, dirty pink or white.
Sometimes all the colors came together on one dress, like a modern abstract painting.
Models cradled oversized satin clutch bags and wore patent courts with multi-colored block heels.
The show, staged in the Savoy Hotel's glamorous ballroom, ended with a series of ensembles made in a glossy, laminated organza.
Illincic counts U.S. first lady Michelle Obama and Britain's Kate Middleton among fans of her sleek style. Her show had many of her popular signature elements: Beautiful colors, high-waisted silhouettes, feminine bell sleeves and modest mid-calf or ankle-grazing hemlines.
But this season the designer said she wanted to shake up the elegance with casual wear - like taking an evening dress shape and making it out of T-shirt or jersey materials.
"It gives an element of fun, something unexpected," she said.
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SIMONE ROCHA
Budding talent Simone Rocha has her designer dad's giant shoes to fill, but she seems to be taking it all in her stride.
The 26-year-old showcased her latest spring collection at London Fashion Week Tuesday, a collection of all-white outfits, sheer cut-out panels, neons and leather that mixed schoolgirl innocence with cool attitude.
The collection started with dazzling white button-up shirts and boyish shapes in Broderie Anglaise, but the prim look was soon undercut by thigh-revealing, irregular shaped sheer panels on the front or back of skirts.
High-collared, neat shapes in muted shades of butter and toffee followed, but soon things were shaken up with a pale sundress overlaid with a high-shine neon yellow PVC plastic, all-over metallic gold foil vests and skirts, and floral-crocheted skirts and oversized jackets in fluorescent yellow and neon coral.
Models wore mannish brogues with clear plastic soles and heels, a design that has been worn by celebrities including Rihanna and proved to be Rocha's best-selling product.
Rocha debuted at London Fashion Week in 2010.
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MEADHAM KIRCHOFF
English-French design duo Edward Meadham and Benjamin Kirchhoff are known for staging riotously fun and different shows, and this season they met expectations with a collection piled high with over-the-top, Marie Antoinette style corsets, bodices, bows and frills.
Although the invitation and the opening track told of a humorous "damsel in distress" theme, the models were more like fairy godmothers with an enchanted wardrobe.
Acting sleepy or deep in thought in their theatrical outfits, models drifted around stands set up on the catwalk and plucking roses and cupcakes from them.
There were big puffy sleeves, thigh-high boots, feather gloves and big skirts layered over skinny trousers, all embellished with lashings of bows and jewels. Not very practical, but certainly shows the fun and entertaining face of London fashion.

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Robyn Lawley: First Plus-Size Ralph Lauren Model

Robyn Lawley is turning heads, not just for her beauty, but for her 6 foot 2 inch height and curvy size 12 shape. At age 23, the Australian model has embraced her figure, and mainstream fashion magazines are taking notice.
Gracing the covers of French Elle and Vogue Italia, she recently became the first plus-sized model ever to spearhead a campaign for high-end fashion designer Ralph Lauren. She is defying the odds with this unheard of move in an industry that glorifies being thin.
"Robyn is absolutely paving the way for fuller figured women to land these larger campaigns," People magazine's senior writer Jen Garcia said.
She began modeling at age 16, but struggled to keep up with the industry's skinny standards.
"I did unfortunately. I got a huge amount of pressure to diet. And my body, it was such a battle for me to do that because I'm such a big bone, and I'm tall and I'm broad. I really struggled to maintain that size," Lawley said on " Good Morning America" this morning.
Feeling a bit discouraged, she decided to take a break to move to France.
"I gave up trying to be a model. And then I moved to France and fell in love with food all over again, and came back much bigger than I was. And I saw plus- size models doing well. And I decided that I wanted that, I wanted to be in magazines," Lawley said.
She persevered and landed her first contract as a plus-size model for the legendary Wilhelmina Modeling Agency at age 19.
"She's happy in her own skin, and that's something a lot of girls can look up to. And I think she's setting a great example for the fashion industry as a whole," Garcia said.
Lawley kept a positive attitude when asked if she thought more plus-size models would be emerging in the fashion industry.
"I hope so. I hope, I'm sure we will see. You know there's so many plus-size models in New York doing so well in the moment, and it's only going to get better," said Lawley.

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C'est chic! Impressionism taken down the runway, as exhibit kick-starts Paris fashion week

 Paris fashion week will soon open in style, with an exhibit that puts impressionist art down the runway — literally.
The exhibit, "Impressionism and Fashion," opens Tuesday at the storied Musee d'Orsay and explores how the late 19th-century Impressionists made Parisian fashion one of the great painting themes.
The exhibit travels to the New York Metropolitan in February.
It's well known that Impressionist artists such as Renoir, Monet and Degas tried to capture passing moments or "impressions" through painting. Less known is that dramatic changes in 1860s Parisian fashion played into the Impressionists' hands.
Rigid crinolines — the metal undercages that fanned out skirts — were abandoned in favour of a freer-flowing silhouette with layers of different materials and soft textures.
"The Impressionists used these new flowing fashions to capture the fleeting impressions of modern life," said co-curator Philippe Thiebaut. "Not only were they living, moving women now, but also the fashion trends themselves were changeable. It was the ultimate Impressionist subject."
Indeed, the blurred woman in a flowing, textured black dress in Edouard Manet's 1975 masterpiece "The Parisienne" looks almost as lifelike and real as many of the 60 actual dresses that make up the exhibit.
"We wanted to show how lifelike and modern all the Impressionist fashions were," said Robert Carsen, the famed Canadian set designer who designed the exhibit.
The colorful and varied collection also features some 80 oil paintings, which sprawl across nine rooms of the museum, and a converted turn-of-the-century train station. The station's original foyer was opened up for this exhibit for the first time in the museum's history.
In a spectacular touch, in two rooms Carsen has recreated modern runways — with a small dash of artistic license. Instead of models on the mirrored catwalks, hang oil paintings by masters such as Manet and Monet.
"I wanted to link the fashions of then to the fashions of today. Not much has changed in some ways. I discovered that the same chairs used in Paris catwalks today are the one we see in the Impressionists' paintings."
With perfect attention to detail, all the chairs are labeled appropriately in the mood of the time. Each seat has a 19th-century figure such as poet Charles Baudelaire.
"It's over a century now," said Carsen. "But some things don't change. We're still as obsessed with fashion now as we were then.

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U.S.-Mexican singer Jenni Rivera dies in plane crash

MEXICO CITY (Reuters) - Mexican-American singer Jenni Rivera died in a plane crash after the small jet she was travelling in went down in northern Mexico, her father said on Sunday.

A spokesman for the state government of Nuevo Leon said investigators had found the remains of Rivera's Learjet, which disappeared from the radar 62 miles from the northern city of Monterrey at about 3:30 a.m. local time/4.30 a.m. EST.

Speaking after the wreckage was discovered, the singer's father, Pedro Rivera, told Telemundo television all seven of the people on board the plane, including two pilots, had died.

"Everyone was lost," Rivera said, flanked by two sons.

Investigators are still searching the crash site in the municipality of Iturbide, south of Monterrey. The transportation and communications ministry said the wreckage was strewn so far and wide that it was hard to recognize anything.

It was not clear what caused the crash.

Rivera, 43, was heading for the city of Toluca in central Mexico after a concert in Monterrey on Saturday night.

Born in Long Beach, California, to Mexican immigrants, Rivera sold some 15 million records in her career, won several awards and received Grammy nominations, her website said.

A mother of five, Rivera was a renowned performer of the Nortena and Banda musical styles.

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Plane carrying U.S.-Mexican singer Jenni Rivera is missing

MEXICO CITY (Reuters) - Mexican-American singer Jenni Rivera is missing after the plane she was travel ling in disappeared shortly after leaving the northern Mexican city of Monterrey early on Sunday.

The Mexican transportation and communications ministry said Rivera's Learjet went off the radar about 62 miles from Monterrey after taking off at 3:15 a.m. local time/0900 GMT.

Rivera was heading for the city of Toluca in central Mexico after a concert in Monterrey on Saturday night. The singer, two pilots and four other passengers are all missing, the ministry said. A search is continuing for the aircraft.

Born in Long Beach, California, to Mexican immigrant parents, Rivera has sold some 15 million records in her career and won several awards and Grammy nominations, her website said.

A mother of five renowned as an exponent of the Nortena and banda musical styles, Rivera turned 43 in July, according to Mexican media reports.

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Springsteen, Alabama Shakes top Rolling Stone's 2012 best music

LOS ANGELES (Reuters) - Veteran rocker Bruce Springsteen and newcomer blues-rock band Alabama Shakes landed the top awards in Rolling Stone magazine's annual list of the year's best music on Friday, which featured many of next year's leading Grammy nominees.

Springsteen's 17th studio album "Wrecking Ball" topped the magazine's list of best albums, with the magazine calling it "rock's most pointed response to the Great Recession."

Springsteen, 63, came in ahead of hip hop artist Frank Ocean's debut "Channel Orange" at No. 2 and former White Stripes front man Jack White's debut solo effort, "Blunderbuss" at No. 3, in the annual list selected and compiled by Rolling Stone editors.

Springsteen, Ocean and White all landed Grammy nods, which were announced earlier this week.

The rest of the top ten albums included Bob Dylan's "Tempest," Green Day's "¡Uno!," Neil Young and Crazy Horse's "Psychedelic Pill," Kendrick Lamar's "good kid, m.A.A.d city" and Fiona Apple's "The Idler Wheel is Wiser..."

"Hold On" by newcomer blues-rockers Alabama Shakes was named the top song of the year, beating off popular tracks by Ocean, White, Springsteen, Dylan and Kanye West in the top 10.

While both the albums and songs lists were dominated by rock and rap artists both old and new, country-pop star Taylor Swift was a surprising entry at No. 2 on the best songs list with her infectious chart-topping hit song "We Are Never Ever Getting Back Together."

Rolling Stone described the song, which landed a Grammy nod for record of the year, "a perfect three-minute teen tantrum about country girls getting mad at high-strung indie boys."

Pop-rockers Passion Pit's "Take a Walk," Ocean's "Thinkin Bout You" and Young and Crazy Horse's "Ramada Inn" rounded out the top five songs.

Rolling Stone's full list of 2012's 50 best albums can be viewed at http://www.rollingstone.com/music/lists/50-best-albums-of-2012-20121205 and the 50 best songs at http://www.rollingstone.com/music/lists/50-best-songs-of-2012-20121205

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Jazz pianist Dave Brubeck dead at 91

NEW YORK (Reuters) - Jazz pianist Dave Brubeck, whose choice of novel rhythms, classical structures and brilliant sidemen made him a towering figure in modern jazz, has died at the age of 91, his longtime manager and producer Russell Gloyd said on Wednesday.

Brubeck died of heart failure on Wednesday morning after he fell ill on his way to a regular medical exam at Norwalk Hospital, in Norwalk, Conn., a day short of his 92nd birthday, Gloyd said.

His Dave Brubeck Quartet put out one of the best selling jazz songs of all time: "Take Five," composed by alto saxophonist Paul Desmond. Like many of the group's works, it had an unusual beat -- 5/4 time as opposed to the usual 4/4.

"We play it differently every time we play it," Brubeck told The Philadelphia Inquirer in 2005. "So I never get tired of playing it. That's the beauty of jazz."

"Take Five" was the first million-selling jazz single.

Dressed in a suit and horn-rimmed glasses and living a clean-cut lifestyle in the 1950s, Brubeck did not fit the stereotype of a hipster jazzman and his music was not nearly as brooding as that coming from East Coast be-bop players.

Despite his innovative approach, some critics interpreted Brubeck's popularity as a sign of un-coolness, but his fans were undeterred.

Brubeck was born in Concord, California, on December 6, 1920. His father was a rancher and as a teenager Brubeck was a skilled cowboy. But his mother, a music teacher who had five pianos in the house, saw that he took up piano at age 5.

At the College of the Pacific in Stockton, California, he planned to be a veterinarian, but within a year he was majoring in music and playing jazz in nightclubs.

"After my first year in veterinary pre-med I switched to the music department ... and that was at the advice of my zoology teacher," Brubeck said in a Reuters interview. "He said 'Brubeck, your mind is not here, with these frogs and formaldehyde. Your mind is across the lawn at the conservatory. Will you please go over there.'"

Brubeck later met the co-director of a weekly campus radio show, Iola Marie Whitlock, and they eventually married.

After graduation, Brubeck studied under French composer Darius Milhaud and played in a U.S. Army jazz band during World War Two.

In the late 1940s, he moved to the San Francisco Bay area, where he headed an experimental jazz octet. He formed a trio in 1950 and the following year expanded to a quartet with Desmond, who he had known since the war.

Brubeck injected classical counterpoint, atonal harmonies and modern dissonance into his music, hinting at composers such as Debussy, Bartok, Stravinsky and Bach.

The group built an enduring fan base by taking its subdued bluesy brand of classically influenced jazz to colleges.

As a leading figure in the West Coast jazz scene, which also included Gerry Mulligan and Chet Baker, Brubeck was featured in a Time magazine cover story in 1954. Some critics and black musicians, who felt jazz was a central part of black culture, resented the story about the prominence of a white artist.

In the article Brubeck said Milhaud had told him "if I didn't stick to jazz, I'd be working out of my own field and not taking advantage of my American heritage."

Brubeck disbanded the quartet in 1967 after nearly 17 years to concentrate on composing. He wrote several choral works, all religiously influenced.

He later began performing jazz regularly again and appeared with his sons, Darius, a composer and pianist; Chris, who played electric bass and trombone; and drummer Danny. They were billed as Two Generations of Brubeck.

In February 1989 Brubeck, who had a history of heart problems, underwent triple-bypass surgery but kept playing. Well into his 80s, he still put on some 80 shows a year. He had a pacemaker implanted in October 2010.

Actor-director Clint Eastwood, a jazz fan, announced plans to make a documentary on Brubeck in 2007. Eastwood also was named chairman of the Brubeck Institute at the University of the Pacific, designated as the home of his papers, private recordings and other memorabilia.

Brubeck and his wife, who also was his agent and lyricist, had two other sons, Matthew, a cellist, and Michael, and a daughter, Catherine. The couple lived in Wilton, Connecticut.

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Rihanna to star in own U.S. fashion reality show

LOS ANGELES (Reuters) - Chart-topping R&B star Rihanna is delving into the world of fashion, starring in a reality television show competition that will challenge designers to make outfits for a handful of celebrities, U.S. cable channel Style Network said on Wednesday.

"Styled to Rock," set to premiere in the latter half of 2013, will feature 12 young designers handpicked by the Barbadian Grammy-winning singer.

The designers will be tasked with styling a celebrity guest on each episode, and the guest will help determine which designer moves on to the next round of the competition.

"Fashion has always played an integral part in my life and career. I am so excited to partner with Style Network and share my creative insight with these 12 designers and give them this opportunity to showcase their work," Rihanna, 24, said in a statement.

The singer will also serve as an executive producer under her given name, Robyn Rihanna Fenty. Style Network has yet to announce which celebrities will guest host or the fashion experts who will serve as mentors to contestants.

The series will piggyback on a British show of the same name in which Rihanna appeared over the summer.

The "Diamonds" singer recently concluded a seven-date globe-trotting tour in support of her new album "Unapologetic," which debuted atop the Billboard 200 album chart last week.

Style Network is a unit of Comcast Corp's NBCUniversal.

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